Catalog

A BISSEL RHYTHM is composer and clarinetist Paul Green’s PARMA Recordings debut, although it marks his second recorded exploration into the fusion between jazz and Jewish music. A performance at Merkin Concert Hall resulted in the New York Times extolling his talents: “Like a cobra intent on doing some charming of its own, the clarinetist Paul Green weaved, darted and hovered over his instrument…conjuring gorgeous sounds.”

On her debut Big Round Records release, A SINISTER ENDEAVOR, composer and pianist Gay Pearson presents a collection of works that highlight her eclectic quintet - consisting of piano, bass, drums, flute, and cello - and their colorful, introspective, and energetic performances. Recorded live in Newburyport MA, this album presents original works by Pearson, including Zonal and Meridional Flow, with its classical counterpoint and 4-part polyphony; the energetic solo piano piece Cirrus High; and An Ionian Emitter, which uses complex rhythms and syncopation.

AMBIENCE is Big Round Records’ latest release from composer Joe Hume. After a decade of working exclusively as a professional pianist, Hume has returned to composing in a big way with this compelling 11-track album of airy original solo piano pieces.

Blues and big band lovers are in for a swingin' treat with Big Round Records' new archival recording of BERL OLSWANGER AND THE OLSWANGER BEAT, the label’s third released recording by “Mr. Music of Memphis." Olswanger, whose musical career spanned over a half-century, could easily be called a jack-of-all-trades: a popular bandleader, a prolific composer of swing music, a serial entrepreneur, and a wildly successful teacher bringing the art of music-making to the masses.

Berl Olswanger returns for a second installment of timeless archival recordings on Big Round Records, with BERL OLSWANGER AT PEPPER RECORDS, a collection of tunes recorded during the late-50’s golden era of the Memphis record business. Olswanger hit the state-of-the-art studios at Pepper Records to record 10 songs by William “Pat” Best, Floyd Huddleston, Olswanger himself, and more.

Big Round Records presents the first of five albums by “Mr. Music of Memphis,” Berl Olswanger, featuring tunes by Duke Ellington, Hoagy Carmichael, Cole Porter, and more. From pop standards and jazz ditties to good old-fashioned polka, pianist Berl Olswanger wrested command of just about every style.

Berl Olswanger, “Mr. Music of Memphis,” returns for a fifth installment of timeless archival recordings on Big Round Records with BERL OLSWANGER IN THE STUDIO. This never-before-heard collection transports listeners back to the pianist’s private studio in 1950’s Memphis where he recorded his early compositions, some of which went on to become fully orchestrated tracks on the 2021 release BERL OLSWANGER AT PEPPER RECORDS. With a smooth blend of blues, country, boogie-woogie, and ragtime influences, Olswanger delivers tunes that capture the popular sounds of the era. From the strong stride piano solo in Chicken Bone Man to the fluttering fills in Tennessee Skidoo, Olswanger’s inimitable approach shines through, inviting listeners into his private studio to witness an early period of the piano great’s legacy.

Big Round Record's first installment of its compilation series, BIG ROUND SOUND VOL. 1, presents a deep cross-section of the label's contemporary and eclectic catalog. From jazz and world music to folk, fusion, and progressive rock, this album features performances by Tony R. Clef, the Oscuro Quintet, Andy Jaffe and Branford Marsalis, Sophie Dunér, the Larksong Trio, Anne Vanschothorst, Juan Álamo, Jean-Philippe Grégoire, and more in works by Christina Rusnak, Svjetlana Bukvich, Sebastiano Meloni, Ecco La Musica, Bunny Beck, and others.

Even though the tracks on BIRTH OF A CITY are loosely grouped by their titles, the recording is very much a concept album. Haney, himself an accomplished pianist who also studied composition, scored the pieces for a kind of string quartet (violin – viola – cello – double bass), interspersed by varying quantities of brass instruments and percussion. Naturally, as one would expect from this kind of music, all works are scored with exactitude – for the most part, that is. Remarkably, Haney grants the performers a great amount of improvisatory freedom – indubitably owing to his own background in jazz, the genre which definitely and definitively shines through in all his compositions.

Life on the Canadian prairie is vital, challenging, and poetic, and on their debut Big Round Records release, BY THE RED, pianist Laura Loewen and baritone Mel Braun - joined by Fred Redekop and Jay Taylor, otherwise known as the mandolin-bass duo Big and Dinky - present a glimpse of the variety of folk music found in Manitoba's Red River Valley. Drawn from French Canadian, Métis, German Mennonite, Scots, and cowboy culture, and supplemented by the art song-like settings of John Greer, Larry Warkentin, Chester Duncan, Robert Turner, and Heidi Ugrin, these works relate stories that 200 years of life in the Red River Valley have generated. Tales of sod-busting pioneers, exile, sacrifice, summer idyll, and love, all leavened by a sense of humor that allows life to flourish on the prairie, are explored on this dramatic and nostalgic collection.

CIRCADIAN WORLD CLOCK from David Haney and Big Round Records is a captivating exploration of nature’s musical landscape. In this groundbreaking recording project, Haney challenges participants from around the world to submit 2-3 minute field recordings, each recorded at the specific hours of the day prescribed by the monastic Liturgy of the Hours.

DETOURS, the debut Big Round Records release from percussionist Joe Porter and pianist Joel Goodfellow, showcases the jazz duo's capacity for collaboration and improvisation, with animated and dynamic versions of well-known film and literary compositions.

EVOLUTION, the debut release from composer and performer Svjetlana Bukvich on Big Round Records, showcases five original electro-acoustic compositions that incorporate elements of prog-rock, avant-garde, experimental, jazz and world music. Integrating cutting-edge technology with tuning of her own design and her deep classical roots, Bukvich's hybrid sound tells stories of love, loss, trial and triumph in a bold yet sensuous style, breaking boundaries every step of the way.

Birdland. The Village Vanguard. The Jazz Standard. Just a few of the New York clubs that have saturated the city's streets with the smooth sounds of jazz. Within this tradition, New York-native pianist and composer Bunny Beck presents seven cool and swinging original compositions as well as an arrangement of Hank Williams' "Your Cheatin' Heart" on her second release on Big Round Records, FROM THE SPIRIT. Featuring saxophonist Matt Blostein, guitarist Ed MacEachen, bassist Tom Hubbard, and drummer Vinnie Sperrazza, with Bunny Beck on piano, the Bunny Beck Jazz Ensemble highlights crisp and expressive improvisations while occasionally breaking into Latin rhythms. This album captures the relaxed and refined atmosphere emanating from those New York clubs.

GOIN’ HOME… A RETROSPECTIVE is pianist and composer Gay Pearson’s second release on Big Round Records. The album is a live recording of her most recent annual chamber-jazz concert, featuring an eclectic ensemble with Gay Pearson on piano, John Lockwood on bass, Phil McGowan on drums, Tracy McMullen on saxophone, Lea Pearson on flute, and Shannon Allen on cello. This varied ensemble performs a wide variety of music with different instrumental combinations, from Astor Piazzolla to classic tunes of Chick Corea, Harold Arlen and Jerome Kern, to more contemporary original compositions by Pearson herself.

Alexander Yee makes his recording debut with HOMAGE, an album of works he composed throughout 2023. Following his recovery from a fractured right hand, Yee experienced a newfound appreciation for his art, and so endeavored to compose one solo piano composition per month until he produced an album’s worth of material. 

HOMEWARD BOUND, the new album from The Larksong Trio (Peggo Horstmann Hodes singing soprano, Jennifer Yeaton-Parris playing the flute, and Calvin Herst on the piano), is a heart-warming collection of art songs, love songs, and American and Celtic folk songs.

I AM NOT A VIRUS from composer Jordan VanHemert and Big Round Records, is a collection of contemporary music uniquely fitting for this unprecedented juncture in human history. Called an "excellent outing" by jazz historian Scott Yanow, the collection of lively, piano-driven jazz band performances takes inspiration from a wide swath of timely subjects—everything from the coronavirus pandemic to racially charged police killings and the resulting Black Lives Matter protests of 2020.

Embarking on a musical odyssey is a deeply personal experience, with the mental tapestry it weaves being as distinct as the melodies themselves. This profound connection between imagination and music is the driving force behind Matthew Busse's IMAGINE..., an album of original solo piano works. Marking his Big Round Records debut, Busse skillfully captures the essence of creativity. The album's title encapsulates the transformative power of music and Busse’s command over it, providing listeners with a canvas upon which their imaginations can take flight.

Sebastiano Meloni composer, piano Adriano Orru composer, double bass Tony Oxley composer, drums