East of Chelsea
Chelsea Strings
Terry Pender mandolin, guitar
Vitor Gonçalves piano
Roberto Giaquinto drums
Eric Elterman viola, piano
Félix Lemerle guitar
Tom Hubbard bass
Mark Kelley bass
On EAST OF CHELSEA, Terry Pender proves that the mandolin can hold its own in any genre. The album’s first half breaks new ground with mandolin arrangements of electronic music by Richard David James, better known as Aphex Twin, whose hauntingly beautiful music is reminiscent of Erik Satie’s minimalism. On the second half, Pender is joined by fellow members of the Chelsea Strings ensemble, jazz guitarist Felix Lemerle and veteran bassist Thomas Hubbard, to perform swing tunes by such legends as Charlie Parker, Thelonious Monk, and Keith Jarrett.
Track Listing & Credits
# | Title | Composer | Performer | |
---|---|---|---|---|
01 | Avril 14th | Richard D. James (Aphex Twin), arr. Terry Pender | Terry Pender, mandolins and guitars | 1:55 |
02 | Piano Un10 it Happened | Richard D. James (Aphex Twin), arr. Terry Pender | Terry Pender, mandolins | 1:46 |
03 | Nanou2 | Richard D. James (Aphex Twin), arr. Terry Pender | Terry Pender, mandolin, guitar; Vitor Gonçalves, piano, electric piano; Roberto Giaquinto, drums; Mark Kelley, bass | 3:33 |
04 | Hy a Scullyas Lyf Adhagrow | Richard D. James (Aphex Twin), arr. Terry Pender | Terry Pender, mandolins; Eric Elterman, viola | 2:06 |
05 | Kesson Daslef | Richard D. James (Aphex Twin), arr. Terry Pender | Terry Pender, mandolin; Roberto Giaquinto, drums; Mark Kelley, bass | 1:15 |
06 | Aisatsana | Richard D. James (Aphex Twin), arr. Terry Pender | Terry Pender, mandolin, guitar; Eric Elterman, viola | 4:54 |
07 | Flim | Richard D. James (Aphex Twin), arr. Terry Pender | Terry Pender, mandolin, guitar, drum programming; Eric Elterman, viola, piano; Mark Kelley, bass | 2:55 |
08 | Medley: My Little Suede Shoes/St. Thomas | Charlie Parker, Sonny Rollins, arr. Terry Pender | Terry Pender, mandolin; Félix Lemerle, guitar; Tom Hubbard, bass | 4:06 |
09 | Poinciana | Nat Simon, arr. Terry Pender | Terry Pender, mandolin; Félix Lemerle, guitar; Tom Hubbard, bass | 4:31 |
10 | Lucky Southern | Keith Jarrett, arr. Terry Pender | Terry Pender, mandolin; Félix Lemerle, guitar; Tom Hubbard, bass | 4:53 |
11 | Blue Monk | Thelonious Monk, arr. Terry Pender | Terry Pender, mandolin; Félix Lemerle, guitar; Tom Hubbard, bass | 4:23 |
12 | Lullaby of Birdland | George Shearing, arr. by Terry Pender | Terry Pender, mandolin; Félix Lemerle, guitar; Tom Hubbard, bass | 4:06 |
13 | Sous le ciel de Paris (Under Paris Skies) | Hubert Giraud and Jean Drejac, arr. Terry Pender | Terry Pender, mandolin; Félix Lemerle, guitar; Tom Hubbard, bass | 3:32 |
14 | Don’t Get Around Much Anymore | Duke Ellington and Bob Russell, arr. Terry Pender | Terry Pender, mandolin; Félix Lemerle, guitar; Tom Hubbard, bass | 5:42 |
15 | Gee Baby, Ain’t I Good To You | Andy Razaf and Don Redman, arr. Terry Pender | Terry Pender, mandolin; Félix Lemerle, guitar; Tom Hubbard, bass | 2:31 |
Tracks 1-7
Recorded August-September 2023 at the home studio of Terry Pender
Additional recording August-October 2024 at Boomtown Studios in Brooklyn NY
Tracks 8-15
Recorded July 27, 2024 at Eastside Sound Studios in New York NY
Producer Terry Pender
Engineer Eric Elterman
Executive Producer Bob Lord
VP of A&R Brandon MacNeil
A&R Danielle Sullivan, Chris Robinson
VP of Production Jan Košulič
Audio Director Lucas Paquette
VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Publicity Chelsea Kornago
Digital Marketing Manager Brett Iannucci
Artist Information
Terry Pender
Terry Pender is a composer and musician whose interests range from contemporary multimedia-based works to jazz mandolin. His music has been performed in countries around the world, including Japan, China, Portugal, Italy, Canada, and Greece, as well as across the United States. He holds a doctorate in composition from the University of Cincinnati’s College-Conservatory of Music, and he served as Associate Director of the Computer Music Center at Columbia University from 1995 to 2018. He also served as editor for Mandolin Quarterly, an internationally distributed journal, and his music is published by NL Publications, Inc.
Félix Lemerle
Félix Lemerle is a jazz guitarist, composer, and educator. He was a 2014 Fulbright Scholar and 2nd prize winner in the 2015 Śmietana Guitar Competition and a 1st prize winner in the 2012 Eddie Lang Guitar Contest. Lemerle received his Master of Music in Jazz Studies (Jazz Performance) at CUNY Queens College in 2016 and his DEM Jazz et Musiques Improvisées — CRR de Paris in 2012.
Mark Kelley
At the core of the late night sound revolution is bassist Mark Kelley. Whether providing driving bass for the theme song, laying down slippery tones behind lyricist Black Thought during a commercial break, or morphing seamlessly into background music for the latest musical satire, Kelley holds the late night bass chair with an undeniable and completely appropriate swagger.
While the Roots have been together for over two decades, Mark joined in 2011 after former bassist Owen Biddle left to pursue other projects. While easy to see now, bringing Kelley into the Roots crew was the perfect move for bandleader Questlove to make. When the call came to Kelley, he had a musical history that already included an education at Berklee College of Music and time on stage with Mos Def, John Scofield, and many others. In addition, Kelley spent an extended tenure in Meshell Ndegeocello’s band that was, as he puts it, “the best experience in music that I’ve ever had.”
When the call came in 2011 to join the Roots, Kelley’s life changed completely. The Roots had already started their transformation of late night music as the house band for Fallon’s previous gig, Late Night with Jimmy Fallon. Kelley was thrust into the spotlight of network television and also jumped into the Roots’ demanding schedule of touring and recording. Kelley’s contributions can be heard on the Roots’ release that year, titled Undun. In 2013, Kelley laid down deep, dark grooves for the Roots’ collaboration with Elvis Costello, Wise Up Ghost.
Roberto Giaquinto
Italian drummer Roberto Giaquinto started out his musical journey with his older brother in Naples, Italy, playing with different local bands around the city while still in middle school.
Thanks to the support of his family he was able to keep developing his passion for music throughout high school. After he moved to Rome he graduated in jazz arranging at the conservatory Licino Refice. In 2009 he was awarded a scholarship for Berklee College of Music and after moving to Boston in 2010 he was selected to be part of the Global Jazz Institute, an intensive honorary program directed by Danilo Perez, and with Joe Lovano, George Garzone, Terri Lyne Carrington, John Patitucci, Dave Liebman, Adam Cruz, and Ben Street.
Since coming to the States, Giaquinto has performed in many festival and clubs such as the Blue Note NYC, Birdland, Kimmel Center, Detroit Jazz Festival, Panama Jazz Festival, Toronto Jazz Festival, Nancy Jazz Pulsation, Kennedy Center, Au Grès du Jazz, Sunside Paris, The Blue Whale, Beantown Jazz Festival, Jazz en Comminges, Red Sea Jazz Festival, Zinc Bar, The Bitter End, and Bregen Jazz Fest among many others.
Tom Hubbard
Bassist Tom Hubbard has performed with instrumentalists Kenny Barron, Jay McShann, Charlie Rouse, Dewey Redman, Beaver Harris, Dannie Richmond, and Ron Affif among others. Hubbard has accompanied a long list of singers including Joe Williams, Mose Allison, Freddy Cole, Chris Connor, Sheila Jordan, Liza Minnelli, Marilyn Maye, Michael Feinstein, Stacey Kent, and Martha Reeves and the Vandellas.
Vitor Gonçlaves
Vitor Gonçalves is a pianist, accordionist, composer, and arranger from Rio de Janeiro, Brazil. After an illustrious career as an in demand musician in Brazil, playing with such icons as Hermeto Pascoal, Maria Bethânia, Itiberê Zwarg, and many others, he made the move to New York City, where he currently resides.
Since arriving here in 2012, he has garnered much acclaim and built a star lit resumé, including features in NPR’s Jazz Night in America, hosted by Christian McBride and The New York Times as a guest of the renowned Spok Frevo Orquestra. A frequent resident on the stages of Jazz at Lincoln Center, The Jazz Standard, and the Jazz Gallery, he both leads his own projects, and collaborates with figures in the New York scene such as Anat Cohen, Vinícius Cantuária, Anthony Wilson, Cyro Baptista, and Yotam Silberstein.
He also has played in Jazz Festivals and venues around the world, such as Newport Jazz, Jazz à Vienne, Umbria Jazz Festival, Queen Elizabeth Hall in London, and the Coliseum in Lisbon, Portugal.
Eric Elterman
Eric Elterman is a Brooklyn-based audio engineer, sound designer, and studio owner.
His work includes editing, mixing, sound design and composition for features, shorts, documentaries, television, commercials, podcasts, and multiple albums. He has worked with musicians from all over the world, including GRAMMY® award-winning artists, both in the studio and on stage.
He recently worked as the supervising audio engineer for the Emmy-nominated Stephen Colbert Presents Tooning Out The News. ericelterman.com
Notes
East of Chelsea is a showcase of contemporary mandolin music, featuring works in two different but complimentary styles. While the mandolin is often associated with folk and bluegrass music, my goal was to show that it is quite capable of holding its own in any genre. I’ve spent more than four decades exploring the subtleties of this ancient and venerable instrument, and this project continues that journey.
The first portion of the album consists of seven arrangements of compositions by Richard David James, aka Aphex Twin. The first time I heard these pieces in their original form, I was captivated by their haunting beauty — so much so that I was inspired to re-arrange them for the mandolin. I see these pieces as modern-day classical miniatures that harken back to the minimalism of Erik Satie. A colleague recently told me that he thinks “lovely” is the new “loud.” I hope these arrangements add a bit of loveliness to all the loud that surrounds us.
The second part of the recording includes several of my favorite swing tunes, which I arranged for mandolin, jazz guitar, and acoustic bass. It follows in the footsteps of jazz mandolin pioneers like David Grisman and Don Stiernberg. These pieces were recorded live by Eric Elterman at Eastside Sound, and I was fortunate to be joined by two of the finest jazz musicians in New York City — Felix Lemerle and veteran bassist Thomas Hubbard. I can’t thank them enough for the superb artistry they contributed to this project.
I recorded almost all of the instruments for the Aphex Twin arrangements in my home studio, and I added tracks by bassist Mark Kelley, who plays in The Roots and on The Tonight Show Starring Jimmy Fallon. Vitor Gonçalves and Roberto Giaquinto were recorded on piano and drums at Eric Elterman’s Boomtown Studio in Brooklyn. Elterman played viola and some of the piano parts on these pieces, and he mixed and mastered the recording as well. I couldn’t have brought this project to fruition without him. Thank you, Eric, for making it sound better than I could possibly have imagined.
I’d also like to thank Aaron Weinstein — my mentor and one of the best jazz violin and mandolin players living. You spent hours helping me develop my swing technique, and this recording would never have happened without you.
Finally, I’d like to thank my wife, Amy, for her invaluable input on this project and her never ending support of everything I do.
– Terry Pender