Catalog

AMBIENCE is Big Round Records’ latest release from composer Joe Hume. After a decade of working exclusively as a professional pianist, Hume has returned to composing in a big way with this compelling 11-track album of airy original solo piano pieces.

Described by critics as “beyond category, to use Duke Ellington’s signature compliment” (All About Jazz), Japanese marimba extraordinaire Mika Stoltzman brings her wealth of experience to her latest “Mikarimba” album, Big Round Records’ TAPEREBÁ. Vibrant and bursting with flavor (just like the Brazilian fruit which the album derives its title from), the jazzy TAPEREBÁ features performances by Stoltzman and a circle of legendary fellow artists. With over 25 Grammy Awards shared between the members on this record, a memorable listening experience is practically guaranteed.

On TO ONE, Croatian-born Lela Kaplowitz delivers a collection of songs that expressively hearken back to the singer/songwriter era of the 1970s, reviving the spirit of such ground-breaking artists as Carole King, Laura Nyro, and Roberta Flack. Kaplowitz, who has been lauded by jazz vocal legend Sheila Jordan as “an extremely talented vocalist” and Bobby McFerrin as having a “wonderful voice,” presents a nuanced mélange of pop, soul, jazz, and even folk music on TO ONE.

Even though the tracks on BIRTH OF A CITY are loosely grouped by their titles, the recording is very much a concept album. Haney, himself an accomplished pianist who also studied composition, scored the pieces for a kind of string quartet (violin – viola – cello – double bass), interspersed by varying quantities of brass instruments and percussion. Naturally, as one would expect from this kind of music, all works are scored with exactitude – for the most part, that is. Remarkably, Haney grants the performers a great amount of improvisatory freedom – indubitably owing to his own background in jazz, the genre which definitely and definitively shines through in all his compositions.

As a composer, Joseph T. Spaniola has written works for band, chamber ensembles, orchestra, solo instruments, voice, choir, and electronic tape. That astonishing versatility is on full display on ESCAPADE, his first release with Big Round Records. ESCAPADE opens with its title track, performed by The US Air Force Academy Band, which launches into an unrestrained musical exploration inspired by the composition’s first four pitches.

A BISSEL RHYTHM is composer and clarinetist Paul Green’s PARMA Recordings debut, although it marks his second recorded exploration into the fusion between jazz and Jewish music. A performance at Merkin Concert Hall resulted in the New York Times extolling his talents: “Like a cobra intent on doing some charming of its own, the clarinetist Paul Green weaved, darted and hovered over his instrument…conjuring gorgeous sounds.”

Composer and pianist Kenneth Kuhn, after finding the music he wanted to hear did not exist, strove to bring his own musical visions to life. The result, PIANO WORKS OF KENNETH KUHN, is a cathartic journey through the memories and imagination of the composer. Romantic in quality, thematic, memorable, and deeply moving, Kuhn’s latest work leaves listeners feeling enriched and enchanted.

Concert pianist and composer Michael Arnowitt, assisted by ImproVisions Jazz, makes his Big Round Records debut with SWEET SPONTANEOUS, the title drawn from a poem by e.e.cummings. This two-disc jazz album features 14 of Arnowitt’s own compositions with the composer himself at the piano, joined by a dozen jazz notables including Yosvany Terry on alto sax, Lucas Pino on tenor sax, Dave Smith on trumpet, and Colin Stranahan on drums.

Exuberant and exciting is the Big Round Records debut of big band pianist and composer Ron Paley. This is not “just another pops album.” Paley’s work is cool, clever, and ridiculously fun. Seven of the ten tracks on THE MORE YOU KNOW are completely composed, arranged, and performed by Ron Paley.

Fusion lovers will enjoy the PARMA recordings debut of oboist Margaret Herlehy in this fresh, new collection of Latin-inspired jazz. Uniquely, oboe is the central instrument in each composition. Herlehy not only meets the demands of such a challenge but exceeds them.

Renowned Nevada-based Floridian composer, author, and teacher, Henry Wolking follows up his recent and miraculous IN SEA, with a Big Round Records re-release of POWELL CANYONS: AND OTHER ORCHESTRAL JAZZ WORKS. First released in 2000 by MMC Recordings, this stunning and effervescent album of orchestral jazz compositions is a quintessential key to understanding Wolking’s work and nature inspired aesthetic.

GOIN’ HOME… A RETROSPECTIVE is pianist and composer Gay Pearson’s second release on Big Round Records. The album is a live recording of her most recent annual chamber-jazz concert, featuring an eclectic ensemble with Gay Pearson on piano, John Lockwood on bass, Phil McGowan on drums, Tracy McMullen on saxophone, Lea Pearson on flute, and Shannon Allen on cello. This varied ensemble performs a wide variety of music with different instrumental combinations, from Astor Piazzolla to classic tunes of Chick Corea, Harold Arlen and Jerome Kern, to more contemporary original compositions by Pearson herself.

On his second Big Round Records release MOODS AND SKETCHES, composer Sebastiano Meloni presents 12 improvisations for piano. Meloni’s primary interest is in making improvisation, both as a composer and as a performer. Performed on a Fazioli grand piano F278, each piece explores the different facets of improvisational language, each having a specific methodical theme.

Its evident from hearing the jazz big band works of composer, arranger, conductor and trombonist Henry Wolking’s debut album on Big Round Records, IN SEA, that he effectively mixes complexity with simplicity in his jazz harmonies and colorful orchestrations that make for an exciting and memorable listening experience. The inspired solo work of band members and guest artists add to the sincere and fresh cosmopolitan character of the recording.

Transporting the listener to a mysterious and enthralling sonic world, composers and guitarists Alex Lubet and Maja Radovanlija present their debut release on Big Round Records, THE ENCHANTED GUITAR FOREST, which captures the duo’s Eastern European, specifically Jewish and Balkan, heritage.

Big Round Record's first installment of its compilation series, BIG ROUND SOUND VOL. 1, presents a deep cross-section of the label's contemporary and eclectic catalog. From jazz and world music to folk, fusion, and progressive rock, this album features performances by Tony R. Clef, the Oscuro Quintet, Andy Jaffe and Branford Marsalis, Sophie Dunér, the Larksong Trio, Anne Vanschothorst, Juan Álamo, Jean-Philippe Grégoire, and more in works by Christina Rusnak, Svjetlana Bukvich, Sebastiano Meloni, Ecco La Musica, Bunny Beck, and others.

On her debut Big Round Records release, A SINISTER ENDEAVOR, composer and pianist Gay Pearson presents a collection of works that highlight her eclectic quintet - consisting of piano, bass, drums, flute, and cello - and their colorful, introspective, and energetic performances. Recorded live in Newburyport MA, this album presents original works by Pearson, including Zonal and Meridional Flow, with its classical counterpoint and 4-part polyphony; the energetic solo piano piece Cirrus High; and An Ionian Emitter, which uses complex rhythms and syncopation.

La Mandragore, a historical five-member ensemble from Québec, Canada, imagines the music of the Vikings had they had the time and leisure to notate it. Playing folk instruments from the Mediterranean and Scandinavian regions, and singing songs and tales in Swedish, Norwegian, Old Norse, and French, the ensemble presents an authentic and eclectic collection of Viking-inspired music on their debut Big Round Records release, MIDGARD.

DETOURS, the debut Big Round Records release from percussionist Joe Porter and pianist Joel Goodfellow, showcases the jazz duo's capacity for collaboration and improvisation, with animated and dynamic versions of well-known film and literary compositions.

On her debut Big Round Records release, CHAT CHILL HIGHLINE, composer Christina Rusnak presents works arranged for big band and large jazz ensemble, illustrating manners in which we interact with others and our environments such as conversing, observing, and absorbing. Composed during the rising popularity of internet chatrooms, Chat reflects on the energy and the sounds of movement, the multitude of voices, and the interweaving of conversations created in virtual and real social gatherings.